Saci-Pererê is a legend from São Luiz do Paraitinga, São Paulo, BR — a folk story passed down over generations. This file collects its origins, its meaning and how it has been retold.
Where does the legend of Saci-Pererê come from?
Location
São Luiz do Paraitinga, São Paulo, BR
Kind of legend
Folk tale
Coordinates
-23.222, -45.311
Testimonies
0
Last updated
LOCATION
What is the legend of Saci-Pererê?
The Saci is Brazil's most familiar folk figure, and also one of the best documented: you can watch him change shape in print, decade by decade. In 1867 the name belonged to a bird — Martius recorded that the Goyatacá believed the soul passed into «the crow-like bird Sacy». In 1876 Couto de Magalhães described a small Tapuio boy, lame in one foot, in a red cap, with a wound on each knee. Only in 1889 does Beaurepaire-Rohan's dictionary give the São Paulo version a little black boy, and assign the single leg to a Rio Grande do Sul variant credited to a named informant. The whirlwind, the pipe and the pranks were gathered in 1917, when Monteiro Lobato opened a public inquiry in a São Paulo evening paper and published the replies as his first book — planting in it, along the way, a testimony of his own signed by the Saci. The bottle corked with a scratched cross is younger still: it belongs to Lobato's 1921 children's novel. And Saci Day, 31 October, is a São Paulo state law of 2004, not a national one — the federal bills were archived in 2007.
Saci-Pererê, drawing by Jean Marconi, 2007 (CC BY 2.0). A modern illustration, not a historical document: the oldest picture of the figure is Monteiro Lobato's own ink wash in the 1918 book.
Image:
Jean Marconi from Brasil · CC BY 2.0
What is the history of Saci-Pererê?
The bird came first. Before the Saci was a one-legged boy in a red cap, it was a cuckoo. In 1867 the Bavarian naturalist Carl Friedrich Philipp von Martius, writing on the Goyatacá of the Rio de Janeiro coast, recorded that they "believed in the immortality of the soul, or in a migration of the soul into the body of the crow-like bird Sacy". Twenty-seven years later the Swiss-Brazilian zoologist Emílio Goeldi put a species name on it: in As Aves do Brasil (1894) he identifies "Diplopterus nevius (galeritus)" — today Tapera naevia, the striped cuckoo — as "o Sací, known throughout the country and of incredible ill fame in popular superstition", and quotes Prince Maximilian zu Wied's field notes on its habits.
The one-legged imp arrives in print in the 1870s, and it is not black yet. The oldest description we could read is in Couto de Magalhães's O Selvagem (Rio de Janeiro, 1876). He lists the Saci Cerêrê among the Tupi spirits subordinate to Jaci, the moon, alongside the Mboitatá, the Urutau and the Curupira, and describes it thus: "the traditions represent him with the figure of a small Tapuio, lame in one foot, with a red cap, and with a wound on each knee." A small Tapuio — an Indigenous boy — lame, not one-legged. No pipe. No whirlwind.
The black Saci appears thirteen years later, in the Diccionario de vocabulos brazileiros of the Viscount of Beaurepaire-Rohan (Rio de Janeiro: Imprensa Nacional, 1889), p. 127. His entry, marked "(S. Paulo)", reads: "a species of fantastic being, represented by a little black boy who, wearing a red cap on his head, haunts the marshes at night. If some horseman happens to pass nearby, the Saci plays him every sort of prank, with the aim — quite innocent, by the way — of amusing himself at another's expense. He pulls the horse's tail to stop its march; he sits himself on the rider's croup." And then the sentence that matters most, because it is the one everybody afterwards lost: "They also call him Saci-sêrêrê; and in Rio Grande do Sul, Saci-pêrê, and this one is one-legged (Cesimbra)." In 1889 one-leggedness was a regional variant, credited to a named informant.
How the chain broke. Goeldi reprinted Beaurepaire's entry in footnote 14 of As Aves do Brasil, immediately after a "Confer. Couto de Magalhães, «O Selvagem» (Rio de Janeiro, 1876, I p. 138)". In copying it he already dropped "in Rio Grande do Sul" and the informant's name, leaving "They also call him Saci-cereré and Saci-peré, and this one is one-legged". In 1917 a correspondent of Monteiro Lobato's, Guilherme Lund Netto of Belo Horizonte, reproduced that footnote almost word for word — down to its closing citation of the 1889 dictionary, page 127 — but re-headed it as "Couto de Magalhães, in his well-known work O Selvagem (1876, I, p. 188), says the following". The page had drifted from 138 to 188, and a note by an ornithologist had become a quotation from an ethnographer. We searched the full text of the 1876 first edition: it contains no "Beaurepaire", no "Rohan", no "brejos", no "diabruras" — and page 188 of that book is a Nheengatu folk tale about the tortoise and the jaguar.
The inquiry that manufactured the portrait. On 25 January 1917, in the words of the book itself, "the inquiry on the Sacy was opened, to get to the bottom of what was positive in our people's memory about the illustrious one-legged one". The forum was O Estadinho, the evening edition of O Estado de S. Paulo, under the heading "Mythologia Brasilica". Lobato asked readers three things: their personal conception of the Saci and from whom they had received it in childhood; the current form of the belief in their own district; and any stories they knew. In the opening article he set out a four-layer genealogy that our own file had flattened: the Saci "comes from the autochthon who gave it its present name… It suffered the influence of the African, passing from caboclinho to molecote. It was modified by the imposition of the Portuguese psyche. The mestizo put much of his own into it."
Letters arrived from Minas Gerais, Rio de Janeiro state and above all from the interior of São Paulo, many of them recalling stories told by formerly enslaved people working on the fazendas. And then, according to the historians of the 1998 facsimile edition, Lobato planted a testimony of his own, signed by the Saci itself, explaining that he was the legitimate son of a cabocla and had two legs with the heels facing forward, so that his footprints pointed the wrong way. The debut book, O Sacy Perêrê: resultado de um inquerito, appeared in early 1918 under the pseudonym "Um Demonólogo Amador", self-financed with a print run of two thousand copies and paid for with advertisements drawn by Voltolino in which the Saci recommends products.
The bottle is younger than the book. In the 1918 inquiry, the way to catch a Saci is a blessed rosary or a loop of grass thrown into the dust-devil, or a cross-braced sieve tipped over its core — and the point is not to be rid of him but to keep him: "sacis that were lassoed with a rosary, or caught with sieves in whirlwinds". The word garrafa appears twice in those three hundred pages, once about German garden gnomes and once about champagne; never about the Saci. The bottle enters with Lobato's children's novel O Saci (1921), where tio Barnabé instructs Pedrinho: throw the cross-braced sieve over the whirlwind, then "get him inside a bottle and cork it very well. Don't forget to scratch a little cross on the cork, because what holds the saci in the bottle is not the cork but the little cross scratched on it." In that book the rosary has disappeared entirely.
Timeline: the documented record of Saci-Pererê
1867Carl Friedrich Philipp von Martius, writing on the Goyatacá of the Rio de Janeiro coast, records that they believed in the transmigration of the soul into the body of «the crow-like bird Sacy». It is the oldest printed use of the name we could read, and it is attached to a bird, not to an imp.
1876Couto de Magalhães publishes O Selvagem. On page 138 he lists the Saci Cerêrê among the Tupi spirits subordinate to Jaci, the moon, and describes him as «a small Tapuio, lame in one foot, with a red cap, and with a wound on each knee». Lame, not one-legged; Indigenous, not black; no pipe and no whirlwind.
1889The Viscount of Beaurepaire-Rohan's Diccionario de vocabulos brazileiros prints, on page 127, the São Paulo Saci: a «little black boy» in a red cap who haunts the marshes and torments horsemen. Its last line assigns one-leggedness to a specific regional variant: «in Rio Grande do Sul, Saci-pêrê, and this one is one-legged (Cesimbra)».
1894Emílio Goeldi devotes a section of As Aves do Brasil to the «Lenda do Saci»: he identifies the Saci as the cuckoo Diplopterus nevius, explains the legend by the bird's unlocatable whistle, and reprints Beaurepaire-Rohan's entry in footnote 14 — already stripped of «in Rio Grande do Sul» and of the informant's name. This footnote is the link through which almost everyone afterwards read the two older sources.
25 January 1917«The inquiry on the Sacy was opened, to get to the bottom of what was positive in our people's memory about the illustrious one-legged one.» Monteiro Lobato launches it in O Estadinho, the evening edition of O Estado de S. Paulo, under the heading «Mythologia Brasilica», with three questions to readers. The 1998 facsimile's historical essay dates the launch to 28 January; the book itself says the 25th.
1918The book appears under the pseudonym «Um Demonólogo Amador», self-financed, two thousand copies, paid for with advertisements drawn by Voltolino. In it the Saci is caught with a blessed rosary or a cross-braced sieve thrown into a dust devil — and kept as a servant. The bottle does not appear: «garrafa» occurs twice in the whole volume, about German garden gnomes and about champagne.
1918 (during the inquiry)According to the historians of the 1998 facsimile, one of the testimonies that settled the Saci's physical description was written by Lobato himself and signed by the Saci: it declared him the legitimate son of a cabocla, with two legs whose heels faced forward so that his tracks pointed the wrong way. The call for evidence produced its own evidence.
1921In Lobato's children's novel O Saci, tio Barnabé teaches Pedrinho the method that everyone now repeats: tip a cross-braced sieve over the whirlwind, then get the creature into a dark bottle and cork it with a small cross scratched on the cork, and hide his cap. The rosary of 1918 has vanished from the text.
July–October 2003A group of friends in São Luiz do Paraitinga, in the Paraíba valley, who call themselves saciólogos, found SOSACI, the Sociedade dos Observadores de Saci; the town hall backs them in September and the first Festa do Saci is held on 31 October.
12 November and 11 December 2003Two bills reach the Chamber of Deputies: PL 2.479/2003 by Angela Guadagnin (PT/SP) and PL 2.762/2003 by Aldo Rebelo (PCdoB/SP), appended to the first. Both say the choice of 31 October is deliberate: Guadagnin's text calls the Saci «a synthesis of the three races at the origin of the Brazilian nation — the Indian, the black and the white»; Rebelo's quotes SOSACI's manifesto on a figure «born of Indigenous mythology, passing through an African mutation and a European one, when it gained the red cap».
13 January 2004Governor Geraldo Alckmin sanctions Lei nº 11.669, which institutes the «Dia do Saci» on 31 October in the state of São Paulo. It comes from a state bill, PL 1128/2003, by deputy Afonso Lobato — not from either federal text.
25 August 2004The Chamber's Education and Culture Committee unanimously approves both federal bills on a substitute text by rapporteur Chico Alencar, who writes that creating the date on the same day as Halloween offers Brazilian youth «the alternative of celebrating the manifestations of their own culture».
31 January 2007PL 2.479/2003 is archived under Article 105 of the Chamber's standing orders, having never cleared the Constitution and Justice Committee. There is, to this day, no federal Saci Day: the legal date exists in the state of São Paulo and in individual municipalities.
Is there a rational explanation for Saci-Pererê?
There is a named, dated and printed rational explanation, and it is older than the modern versions of the legend. It is Emílio Goeldi's, in As Aves do Brasil (1894, pp. 162-163), and it is about acoustics. Describing the striped cuckoo he had followed on both banks of the Paraíba and up in the Serra dos Órgãos, Goeldi wrote that what most astonished him was "how one is deceived as to the place where it is perched: one hears the same characteristic whistle from afar for hours; but following that sound one is always either too far or too near, or too much to the right or too much to the left." His conclusion is explicit: "This enigmatic way of being, and together with it the sad call, perhaps gave rise to the whole crown of fables that haloes the name of the Saci." He adds that the bird's two-syllable cry was set down in musical notation by Prince zu Wied, and warns that another Brazilian bird, Ptilochloris chrysoptera, has a similar but three-syllable call. A creature you can hear for hours and never locate is a good candidate for a spirit that is always beside you and never in front of you.
The whirlwind, meanwhile, is not treated in the 1918 book as a supernatural claim at all but as a mechanical one, reasoned about by the people who report it: one passage explains, deadpan, that "the displacement of air produced by the gyroscope of a single leg is what makes the whirlwind", and then twits a physics textbook by name. Folk mechanics, not a sighting.
What cannot be verified. Almost nothing about the Saci can be, and that is the point: it is not a case with witnesses but a belief with a bibliography. We can date its appearances in print, we can watch its traits move from one region to another and from one book to the next, and we can show which of them were added late. We cannot date the belief itself. Câmara Cascudo's often-quoted statement that the myth exists "at least since the end of the eighteenth or the beginning of the nineteenth century" is repeated everywhere; we did not have his text in hand, so we do not repeat it as ours. What we can say is what we read: the name is in print in an ethnographic work of 1867 attached to a bird, and the one-legged, red-capped figure is in print from 1876.
Two negative results, with their controls. Sílvio Romero's Contos populares do Brasil — some 400,000 characters of Brazilian folk tales in the 1897 edition — contains the word "saci" zero times; the same sweep returns eleven hits for "caipora/caapora". The Saci was, in that period, a southern and south-eastern figure, absent from a north-eastern collection. And the full text of Couto de Magalhães's O Selvagem (1876) contains zero occurrences of "Beaurepaire", "Rohan", "brejo", "negrinho", "phantastico", "diabruras" or "travessuras", against twenty-four for "tapuio", fourteen for "curupira" and seven for "saci" in the same pass — which is how we know the citation that has circulated since 1918 sends the reader to the wrong book.
Can you visit Saci-Pererê?
There is nowhere to visit a Saci, but there is a date and a town. Since 2003 the small colonial town of São Luiz do Paraitinga, in the Paraíba valley of interior São Paulo, has held its Festa do Saci on 31 October. It began in July 2003 as a private joke among friends who called themselves saciólogos, took municipal backing in September, and became SOSACI, the Sociedade dos Observadores de Saci — the body named in the justification of the federal bill filed a few weeks later. The programme is small-town and homemade: street theatre, music, storytelling, workshops, a bicycle ride, school activities. São Luiz do Paraitinga is reached from the city of São Paulo by the Tamoios and Oswaldo Cruz roads; the nearest large town is Taubaté. Check the town hall's programme before travelling, because the dates and the format change from year to year.
Do not expect a national holiday. This is the single most repeated error about the Saci in English-language sources, our own earlier file included. There is no federal Saci Day. Two bills were filed in the Chamber of Deputies in late 2003 — PL 2.479/2003 by Angela Guadagnin (PT/SP), presented on 12 November, and PL 2.762/2003 by Aldo Rebelo (PCdoB/SP), presented on 11 December and appended to the first. The Education and Culture Committee approved both unanimously on 25 August 2004, on a substitute text by Chico Alencar. They never cleared the Constitution and Justice Committee, and PL 2.479/2003 was archived on 31 January 2007 under Article 105 of the House's standing orders.
What does exist is a state law: Lei nº 11.669 of 13 January 2004, sanctioned by governor Geraldo Alckmin, which "institutes the 'Dia do Saci', to be celebrated annually on 31 October" in the state of São Paulo. It came from a state bill, PL 1128/2003, by deputy Afonso Lobato — not from either of the federal texts. Many Brazilian municipalities and schools mark the date anyway, and the calendar of the Colecionador de Sacis and the local press in the Paraíba valley are the practical guides.
Reading the sources yourself is free. The 1918 inquiry, the 1921 novel, Couto de Magalhães's O Selvagem, Beaurepaire-Rohan's dictionary and Goeldi's As Aves do Brasil are all out of copyright and all downloadable in full from the Internet Archive; the links are in the references below. The 1918 book is worth opening for its own sake: it is a facsimile, advertisements included, and the Saci in Voltolino's drawings is selling typewriters.
A note on what we could not consult. The Hemeroteca Digital Brasileira of the National Library, which holds the digitised run of O Estado de S. Paulo and would let anyone read the 1917 instalments in their original columns, did not respond during this review (repeated attempts, connection refused). Everything dated to the inquiry here therefore comes from the book itself and from the historical essay printed in its 1998 facsimile, not from the newspaper pages.
💬 Field testimonies (0)
No testimonies yet. Add the first.
Add your testimony
🔒 Log in to add a testimony