Alice Austen House is a location reputed to be haunted in New York, US. Its reputation comes from reported apparitions, unexplained phenomena and eyewitness accounts gathered over time.
Where is Alice Austen House?
Location
New York, US
Type
House / mansion
Coordinates
40.615, -74.064
Testimonies
0
Last updated
LOCATION
Why is Alice Austen House said to be haunted?
Clear Comfort is a Gothic Revival cottage on the shore of the Narrows in Staten Island, built around 1690-1700 as a one-room farmhouse and remodelled from 1844 by the family of the photographer Alice Austen. She lived there from infancy until the bank evicted her in 1945, made some 7,000 negatives in a second-floor closet that is still her darkroom, and shared the house from 1917 with Gertrude Tate, her partner of fifty-three years; in 2017 the National Register file was amended to record that relationship. Its haunted reputation rests on two datable texts rather than on any record: a paragraph on Wikipedia since 2017, citing an 1895 magazine article about chains in the cellar and a British soldier hanged from a parlour beam, which no reachable archive has let us open; and a 2019 podcast in which the museum's own director tells the ghost story, including the caretaker whose photographs fell three times in a night. The museum does not tell it on its website - but it does run a Halloween evening.
Clear Comfort from the east, May 2011: the three dormers with their pierced bargeboards and the wisteria on the porch match the 1971 landmark designation report.
Image:
Blindowlphotography · CC BY-SA 3.0
What is the history of Alice Austen House?
The house came first, and it came a long way before anybody wrote a ghost into it.
A one-and-a-half-storey dwelling with a single room per floor was raised near the shore of the Narrows around 1690-1700, on land then held by the Woulter family. It is a rare survivor of half-timber and stucco construction. A wing went up to the south between 1725 and 1750; between 1750 and 1775 a second wing of plastered fieldstone was added to the west, almost certainly a detached kitchen, with a large fireplace and its original bake oven. That stone kitchen is the only fabric on the site that is demonstrably older than the American Revolution.
The farm was sold to Daniel Low in 1835 for $10,000 and broken up by a development concern, the Staten Island Association. On 10 October 1844 John Haggerty Austen, a wealthy New York merchant, bought the house and half an acre for $2,500, adding land until he had about an acre. The Austens found a 140-year-old farmhouse in poor repair and spent twenty-five years turning it into a picturesque Gothic Revival cottage: a north wing in 1844-46, dormers with carved bargeboards, elongated porch windows, diamond-pane glazing, roof cresting, chimney pots. Family tradition credits the architect James Renwick Jr., a connection of the family; the 2017 National Register documentation judges it more likely that the Austens and their craftsmen did it themselves. They named it Clear Comfort and used it as a summer house until 1852.
Elizabeth Alice Austen was born in 1866 and brought to the house as an infant by her mother, after her father abandoned them; both dropped his surname. In 1876 or 1877 her uncle Oswald Müller bought a camera and let her use it; another uncle, the chemist Peter Austen, taught her to develop plates. A closet in the second-floor stair hall became her darkroom and stayed her darkroom for the rest of her career. It is still there. Over some fifty years she made around 7,000 negatives - tennis and bicycling, quarantine stations photographed at the request of the Public Health Service, immigrants on the Manhattan streets, and the deliberately transgressive portraits of herself and her friends in men's clothes, unpinned hair and cigarettes.
In 1899, at the Twilight Rest Resort in the Catskills, Austen met Gertrude Tate, a kindergarten and dancing teacher from Brooklyn eleven years her junior. Tate broke off an engagement and left with her for Europe. They were together fifty-three years. Tate moved into Clear Comfort in 1917 over the objection of her sister, who called the relationship a "wrong devotion". They ran the Box Tree Tea Room, lunched at the Colony Club, and lost everything in the crash of 1929. The bank foreclosed and the two women were evicted in the summer of 1945. Austen ended in the Staten Island Farm Colony, the borough poorhouse, in 1950; that October Constance Foulk Roberts found her negatives in the basement of the Staten Island Historical Society while researching Oliver Jensen's The Revolt of American Women, and Life published them in 1951. Austen died on 9 June 1952 and was buried in the Moravian Cemetery. Tate died ten years later; she had asked to be buried beside Austen, and her sister buried her in Brooklyn instead.
The house was listed on the National Register in 1970, designated a New York City landmark in 1971, restored between January 1984 and April 1985, and made a National Historic Landmark on 19 April 1993. In 2017 the National Register file was amended by the NYC LGBT Historic Sites Project to put the fifty-three-year relationship on the record - the first New York City site so recognised for a woman.
Timeline: the documented record of Alice Austen House
c. 1690-1700A one-and-a-half-storey house with one room per floor is built near the shore of the Narrows, in half-timber and stucco, on land held by the Woulter family.
1750-1775A plastered fieldstone wing goes up to the west, almost certainly a detached kitchen, with a large fireplace and its original bake oven. It is the only pre-Revolutionary fabric on the site.
10 October 1844John Haggerty Austen buys the house and half an acre for $2,500 from the Staten Island Association, which had bought the farm from Daniel Low's holding in 1835. The family names it Clear Comfort.
1844-1846The Austens add the north wing and turn the farmhouse into a Gothic Revival cottage: dormers, carved bargeboards, diamond panes, roof cresting. Family tradition credits James Renwick Jr.; the 2017 documentation thinks the family and its craftsmen did it.
1866-1868Elizabeth Alice Austen is born and is brought to Clear Comfort as an infant by her mother, after her father abandons the family; both drop his surname.
1876 or 1877Her uncle Oswald Müller buys a camera and lets her use it; a closet in the second-floor stair hall becomes her darkroom and remains so for her whole career. It survives.
1899Austen meets Gertrude Tate, a kindergarten and dancing teacher from Brooklyn, at the Twilight Rest Resort in the Catskills. Tate breaks off her engagement and leaves with her for Europe.
1917Tate moves into Clear Comfort over the objection of her sister, who calls the relationship a "wrong devotion". The two women share the house until 1945.
Summer 1945After the 1929 crash wipes out their savings and the mortgage payments stop, the bank forecloses and Austen and Tate are evicted. They move to a small flat at 151 St Marks Place.
October 1950Constance Foulk Roberts finds Austen's negatives in the basement of the Staten Island Historical Society while researching Oliver Jensen's The Revolt of American Women. Life publishes them in 1951; Austen dies on 9 June 1952.
1962Gertrude Tate dies. She had asked to be buried beside Austen in the Moravian Cemetery on Staten Island; her sister buries her in the Tate plot at Cypress Hills, Brooklyn.
9 November 1971The city designates the house an individual landmark (LP-0371) after three public hearings. The report praises the Gothic Revival cottage and its pre-Revolutionary fabric, and does not mention Gertrude Tate once.
19 April 1993The house becomes a National Historic Landmark on a nomination that calls Tate a "friend" and their relationship a "fifty-year partnership". The file contains no reference to ghosts or to enslaved people.
June 2017The National Register file is amended by the NYC LGBT Historic Sites Project to record the fifty-three-year relationship - the first New York City site so recognised for a woman. On 11 June a Wikipedia editor adds the "Alleged haunting" paragraph sourced to an 1895 magazine article.
3 June 2019In the first episode of the podcast Someone Lived Here, executive director Victoria Monroe tells Kendra Gaylord that Austen believed the house haunted, and recounts the caretaker whose photographs fell three times in one night until he introduced himself to Alice.
9 September 2025The Landmarks Preservation Commission hears a $1,204,000 reconstruction project: a boardwalk giving step-free access to the main east entrance, an enlarged car park and rebuilt front steps. On 31 October the museum runs its own haunted evening.
Is there a rational explanation for Alice Austen House?
Two stories are told about this house, and they come from two texts that can be dated. Neither comes from a record.
The older one is bibliographic and I could not open it. Wikipedia has carried, since 11 June 2017, a paragraph saying that neighbourhood tradition heard chains clanking in the cellar after midnight, attributed to enslaved people held there during the Revolution, and that a British soldier hanged himself from a beam in the parlour over a broken heart, his boots and the clinking of his spurs audible in that room after midnight. Its single source is "Cromwell Childe, Haunted Houses, The American Magazine, Frank Leslie's Publishing House, New York, 1895" - with no volume, issue or page. Three checks are owed to a citation like that. Does the work exist? Partly answered: Cromwell Childe was a real journalist of the period (21 signed items in Chronicling America between 1890 and 1900), and the 1895 run of that magazine exists in twelve issues. Is the passage in it? Unverified. Every route to the text failed: the digitised issues are access-restricted, HathiTrust's full-text search returns a bot-challenge page instead of a document, and Chronicling America does not index magazines - a search there for "trooper of St. George" returned exactly one hit, and opening the page showed the phrase was not on it. Does the work say what we say? Unknown, and worth flagging: the same editor cited the same 1895 article on the page of Christopher Billopp, whose Staten Island manor is the borough's classic haunted house. Until someone reads the article, the safe statement is that the oldest printed appearance of the story anyone cites is dated 1895 and that our own text descends from a Wikipedia paragraph of 2017.
The second story is recent and fully attributable. On 3 June 2019, in the first episode of the podcast Someone Lived Here, the museum's executive director Victoria Monroe told host Kendra Gaylord that Austen believed the house was haunted by a man who hanged himself in the entryway after an unsuccessful courtship, and recounted that the caretaker, on his first night in the house, heard crashes as photographs fell from the walls three separate times, and that it stopped once he spoke aloud to Alice and introduced himself. That is one named person, one night, one resolution. It is the whole basis for the sentence "caretakers have reported their own unexplained incidents" that this page used to carry, and for the claim that Austen herself believed it: no letter, diary entry or interview of hers saying so has been located, and she left thousands of negatives and a large correspondence.
What the museum publishes is worth reading too. It does not tell the ghost story on its website. It does programme around it: on 31 October 2025 it ran "Victorian Shadows: A Haunted Evening at Clear Comfort", with a haunted grounds tour, aura-camera portraits and a $10 suggested donation, and in October 2022 an "Evening in the Spirit World" with spiritual readings. The older sentence on this page - that the museum permits no paranormal investigation, so nothing has been tested - had no source and does not sit well with the museum's own calendar. It has been removed.
The chains deserve a separate answer, because they are not a harmless detail. Slavery in Richmond County is documented and large: the 1790 federal census records roughly a fifth of the county's population as enslaved. But no document reachable here names an enslaved person on this lot. The National Historic Landmark nomination, the 1970 National Register nomination, the 1971 city designation report and the 20,000-word 2017 amendment contain the word not once between them, and none of them names an owner of the property between the Woulter family and 1835. Using unnamed enslaved people as a sound effect in a cellar is the opposite of documenting them, so this page no longer does it. If a name is ever found in the censuses, deeds or Staten Island Historical Society papers, it belongs in the history section, not in the ghost story.
One more absence is worth naming, because the official record made it before we did. The 1971 city designation report does not mention Gertrude Tate at all. The 1993 landmark nomination calls her a "friend" in a "fifty-year partnership". Only the 2017 amendment says plainly what she was. Our own earlier text managed to describe a house where two women lived for twenty-eight years as the setting for a rejected male suitor.
Can you visit Alice Austen House?
Clear Comfort is open to the public as the Alice Austen House Museum, at 2 Hylan Boulevard, Staten Island, NY 10305, on the shore of the Narrows in Rosebank. Telephone 718-816-4506; [email protected].
Opening hours are Wednesday to Friday 12:00-17:00 and Saturday 11:00-17:00; closed Sunday to Tuesday, at Thanksgiving and over the winter break. Admission is a suggested $5. Entry is free for members of the museum, of the Museums Council of New York City, of the Historic House Trust, of Historic Richmond Town and of the American Alliance of Museums, and for Culture Pass and Cool Culture holders; SNAP recipients enter free with up to four people.
Getting there without a car is easy and is the pleasant way to do it: take the Staten Island Ferry from Whitehall Terminal in Manhattan, then the S51 bus from ramp B at the ferry terminal towards Hylan Boulevard and Bay Street, about fifteen minutes. By car from Brooklyn or Manhattan, take I-278 west over the Verrazzano-Narrows Bridge and the first exit (Bay Street). On-site parking is a small gravel lot with about four spaces, usually taken by staff; street parking on Edgewater Street is the realistic option.
Accessibility: there is a ramp entrance from the rear car park, and the galleries and period rooms on the ground floor are largely wheelchair accessible; the second floor, including the darkroom, is not. Call extension 10 to arrange an accessible visit. On 9 September 2025 the Landmarks Preservation Commission held a public hearing on a $1.2 million reconstruction project for the site, which will add a boardwalk giving step-free access from the car park to the front porch and main east entrance, enlarge the car park with more accessible bays, and rebuild the front lawn steps and path - so expect works and check before travelling.
The surrounding lawn is a city park with a direct view of the Verrazzano-Narrows Bridge, and it is free. There are no ghost tours; the only nocturnal programme is the museum's own Halloween evening, in late October, with a suggested donation.
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