Belcourt of Newport is a location reputed to be haunted in Rhode Island, US. Its reputation comes from reported apparitions, unexplained phenomena and eyewitness accounts gathered over time.
Where is Belcourt of Newport?
Location
Rhode Island, US
Type
House / mansion
Coordinates
41.458, -71.306
Testimonies
0
Last updated
LOCATION
Why is Belcourt of Newport said to be haunted?
Richard Morris Hunt built Belcourt between 1891 and 1894 for Oliver Hazard Perry Belmont, banker's son, one-term congressman and obsessive horseman, and put the stables and carriage rooms on the ground floor of the house itself. A 1904 architectural survey repeated the joke already going round Newport: a palatial stable with an incidental apartment and an incidental ballroom. The same survey records what the Gothic hall upstairs was for. It was built, its author wrote, to display one of the finest collections of old armour in the country, mounted on manikins and set on caparisoned horses. That armour was Belmont's. His widow Alva, who married him in January 1896, did the opposite of filling the house: she had the horses taken out of the living quarters, rebuilt the Grand Hall over the old coach passage, and went on to co-found the National Woman's Party. The screaming suit of armour belongs to a third chapter. The Tinney family bought the ruined house in 1956 for 25,000 dollars, opened it to visitors in 1957 and sold ghost tours for decades. They left, with their collection, in 2012.
Belcourt is the only one of the great Bellevue Avenue houses whose ground floor was designed for horses.
Richard Morris Hunt drew it between 1891 and 1894 for Oliver Hazard Perry Belmont, the youngest son of August Belmont, the banker who had come to America in 1837 as the Rothschilds' agent. Oliver was thirty-two when work began. He had been named for his mother's uncle, the Commodore Oliver Hazard Perry who won the Battle of Lake Erie; he would later serve a single term in Congress as a Democrat from New York, from 1901 to 1903. What he is remembered for is his stable. Hunt put the carriage rooms and the stalls on the first floor of the house itself, with two carriage entrances cut into the north front, and the family rooms above them.
The architectural critic Barr Ferree, surveying American country houses in 1904, recorded the joke that was already circulating about it: Belcourt, he wrote, had been "somewhat flippantly described as the home of a bachelor with a taste for hospitality and for horses, or, in other words, 'a palatial stable with an incidental apartment and an incidental ballroom'."
Ferree also recorded, in a sentence that settles a question the ghost tours have blurred for decades, what the great Gothic room upstairs was for. "This great baronial hall," he wrote, "was built with the view of producing a properly appointed space in which to display one of the finest collections of old armor to be seen in this country. Many of the suits of mail have been mounted on manikins and placed upon horses, which have been draped and fully caparisoned, showing how the knights would appear when arrayed for a tourney." The photograph facing that page, copyright 1897 by the Newport photographer Frank H. Child, is captioned "Belcourt — Baronial Hall, containing organ loft and collection of rare armor". The armour was Oliver Belmont's, and the room was built around it.
On 11 January 1896 Belmont married his neighbour Alva Vanderbilt, who ten months earlier had divorced his friend William Kissam Vanderbilt in one of the most public scandals of the Gilded Age. She moved into Belcourt and immediately began undoing it: she added a library and a bedroom of her own, had the horses taken out of the living quarters, and between 1910 and 1914 had the architect John Russell Pope push the Grand Hall thirty feet east into what had been the passage for Belmont's coaches.
On 7 September 1899 she organised, on the lawn in front of the house, what the wire report called "a novelty in the way of an automobile parade, the first held in this country" — with an obstacle course laid out in flags and dummy nursemaids pushing prams, over which Belmont's own coachmen held the reins.
Oliver died of appendicitis in June 1908, at forty-nine. Alva left for Europe, came back in 1909 and became one of the most consequential figures in American suffrage: she paid to move the National American Woman Suffrage Association's headquarters to New York, founded the Political Equality Association, funded a Black branch of it in 1910 with the Brooklyn clubwoman Sarah J. S. Garnet and others, co-founded the National Woman's Party in 1916, organised the first picketing of the White House in January 1917 and was the party's president until she died in 1933. In 2016 the Belmont-Paul Women's Equality National Monument in Washington was named for her and for Alice Paul. One correction is worth making, because the Bellevue Avenue houses are constantly confused: her Newport suffrage rallies were held at Marble House, the mansion she had kept from the Vanderbilt settlement, not at Belcourt.
After Alva, Belcourt fell fast. It went to her brother-in-law Perry Belmont; in 1940 it was sold for $1,000 to an entrepreneur who wanted an antique car museum and was refused by the zoning board; it passed to Edward Dunn, who never lived in it and rented the stables to the military; and in 1954 to Louis and Elaine Lorillard, who tried to make it the home of the Newport Jazz Festival until the neighbours objected.
In November 1956 Harold and Ruth Tinney, of Cumberland, Rhode Island, bought the derelict house for $25,000, renamed it Belcourt Castle and moved in with their son Donald. They brought their own collection with them — seventeen van-loads of furniture, stained glass, religious objects and armour, much of it salvaged from other Newport houses then being demolished. They opened it to visitors in 1957, and ran it as a house museum, a wedding venue and, eventually, a ghost attraction for fifty-six years. In November 2012 Harle Tinney, Donald's widow and by then the last of the family, sold the building to Carolyn Rafaelian, the founder of the jewellery company Alex and Ani, for $3.6 million. The collection was not part of the sale.
Timeline: the documented record of Belcourt of Newport
1891-1894Richard Morris Hunt builds Belcourt for Oliver Hazard Perry Belmont, with the carriage rooms and stalls on the ground floor of the house itself. The National Register inventory of the Bellevue Avenue district, which dates the work to 1892, catalogues it as a "large residence and stable complex in Louis XIII chateau style".
11 January 1896Belmont marries his neighbour Alva Vanderbilt, who had divorced William Kissam Vanderbilt ten months earlier. She moves into Belcourt, adds a library and her own bedroom, and has the horses removed from the main living areas.
1897The Newport photographer Frank H. Child copyrights a photograph of the baronial hall captioned "containing organ loft and collection of rare armor". Published by Barr Ferree in 1904, it is the earliest dated record I have found of the armour that the ghost stories are attached to, and it places the collection with Oliver Belmont.
7 September 1899Alva Belmont organises on the lawn of Belcourt what a contemporary wire report calls "an automobile parade, the first held in this country", with an obstacle course of dummy nursemaids and prams driven by Belmont's own coachmen.
June 1908Oliver Belmont dies of an infection following appendicitis, aged forty-nine. Alva leaves for Europe while the estate is settled and returns in 1909 to take up the suffrage cause.
1910-1914Alva Belmont has John Russell Pope move the Grand Hall partition some thirty feet east, over what had been the passageway for Belmont's coaches, and adds the English library. She gives away the 1894 Aeolian organ before moving to France.
1940Perry Belmont disposes of the house. An entrepreneur buys it for $1,000 intending an antique car museum, and is refused by the zoning board.
November 1956Harold and Ruth Tinney buy the derelict mansion for $25,000 and rename it Belcourt Castle. They bring in their own collection, described in Harle Tinney's memoir as seventeen van-loads of furnishings, much of it salvaged from Newport houses then being demolished.
1957The Tinneys open the house to visitors. The date is confirmed by their own press release of 15 October 2002, which bills Belcourt Castle as "celebrating this year, 45 years of Living History 1957-2002" and is signed by Harle Tinney as executive director of the Royal Arts Foundation.
11 July 2001The earliest ghost material I can date at Belcourt: an archived page of the house's own website advertising "Virginia's Ghost Tours" with guide Virginia Smith at $15 per person. By 2007 the same page listed $18.
2006Harle Tinney publishes The Ghosts of Belcourt Castle through the self-publishing house iUniverse, with a foreword by Virginia L. Smith, the guide who led the paid ghost tours. One of its chapters is titled "Belcourt Is Not Haunted". A revised edition follows in 2012.
12 November 2012Harle Tinney sells the house to Carolyn Rafaelian, founder of Alex and Ani, for $3.6 million. The Tinney collection, armour included, is not part of the sale and leaves the building.
September 2013Penelope Green reports for The New York Times that the ghost and murder-mystery placards are gone. The contractor Joe Triangelo says they found treasures "but no ghosts" and that "Carolyn is trying to distance herself from all that fodder"; Rafaelian says she brought in a shaman for "a major cleansing, energy-wise".
2026Belcourt of Newport opens Fridays to Sundays year-round and sells a candlelit night ghost tour, describing the house as one that "was once known as the most haunted house in Newport" and asking visitors: "Are they still here? You be the judge!" The museum inside shows relics of the Statue of Liberty and photographs of Armenia.
Is there a rational explanation for Belcourt of Newport?
Everyone who has ever told the ghost story of Belcourt has charged for it.
The oldest ghost material I have been able to date is a page on the Tinneys' own website, archived on 11 July 2001, advertising "Virginia's Ghost Tours" with the guide Virginia Smith at $15 a head; by 2007 the same page listed $18, and the Royal Arts Foundation, the Tinney family's non-profit, was selling an evening candlelight tour at the same price. That is forty-four years after the house first opened to visitors in 1957, and more than a century after it was built. The stories were fixed in print in 2006, when Harle Tinney published The Ghosts of Belcourt Castle through the self-publishing house iUniverse — with a foreword by Virginia Smith, the guide who led the paid tours. Owner, author, guide and box office are the same operation. That does not make the accounts false; it does mean there is no independent witness anywhere in the chain.
The screaming suit of armour, the best-known of the stories, has a mundane setting that the house's own guides described for years. The French Gothic ballroom is seventy feet long, thirty-five wide and thirty-five high — proportions the Tinney-era guide notes advertised as "the perfect acoustic formula" — and it was designed, as Ferree recorded in 1904, to hold articulated steel mounted on manikins and on horse-shaped frames. A tall stone-and-plaster vault built for resonance, filled with jointed metal on wooden armatures that expand, contract and settle with temperature, is a room that will make noises at night whether or not anyone is dead in it.
The strongest sceptical evidence, though, comes from the current owner's own side. When Penelope Green visited for The New York Times in 2013, the first thing she noted was that the sidewalk placards for the ghost and murder-mystery tours were gone. The contractor running the restoration, Joe Triangelo, told her they had found all sorts of intriguing treasures in the house, "but no ghosts", and added that "Carolyn is trying to distance herself from all that fodder". Rafaelian herself did not claim hauntings either; she said there had been "energies and entities, some not pleasant", that she had brought in a shaman, and that "now the house has a different vibration". Newport's own coverage in 2024 summarised the outcome bluntly: right after the sale, the spirits were reported to have been banished.
And the house that sells the ghost tour today is careful with its tenses. Its website says Belcourt "was once known as the most haunted house in Newport", offers "a candlelit (fake candles, but still!) guided tour" and promises "spooky tales of the spirits that once roamed this great house", before ending on the only honest position available: "Are they still here? You be the judge!" Meanwhile the collection the stories are attached to left with the Tinneys in 2012; the museum inside Belcourt in 2026 displays structural relics of the Statue of Liberty and photographs of Armenia. Whatever moves in the Gothic hall after dark, it is not that armour.
Can you visit Belcourt of Newport?
Belcourt is at 657 Bellevue Avenue, Newport, Rhode Island 02840, at the corner of Lakeview Avenue, and it is open to the public — but it is private property and it is not one of the Preservation Society of Newport County houses, which is the commonest mistake visitors make on that street.
As of August 2026 the owner's website states that the house is open on Fridays, Saturdays and Sundays year-round, that the standard guided tour lasts about sixty minutes and covers the history and the restoration, and that access to the museum exhibits is included with a guided tour ticket. Tickets are sold through the 3common platform (3common.com/Belcourt) or at the door during tour hours; the site publishes no prices, so check before travelling. The nighttime ghost tour is a separate sixty-minute guided walk by candlelight — the estate specifies that the candles are artificial. Enquiries go to [email protected].
What is on show changes. In 2026 the Museum at Belcourt is running an exhibition of structural relics removed from the Statue of Liberty during its 1984-1986 restoration, opening 4 July 2026, and returning in August an exhibition of photographs of Armenia. There is no armour collection: it left with the Tinney family in 2012.
The house is a contributing property in the Bellevue Avenue Historic District, listed on the National Register of Historic Places on 8 December 1972 under reference number 72000023 and designated a National Historic Landmark district on 11 May 1976. Belcourt appears as item 58 of the district inventory, described there as a "large residence and stable complex in Louis XIII chateau style". Belcourt itself is not an individually designated National Historic Landmark, and it should not be described as one.
One practical note on events: Belcourt is zoned as a museum and operates under grandfathered rights that, as reported in 2013, allow twelve events a year, each requiring City Council approval. Private hires happen, and the house occasionally closes for them.
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